(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

By Alan Gout (Compiler) ; Martin Frith (Editor). For Saxophone. Classical. Sheet Music. 64 pages. Published by Music Sales.

Poetry in Motion arranged by Lori Hope Baumel. For unison voices, piano accompaniment. Treble Spotlight. Secular. Grade 3. Octavo. Published by Neil A. Kjos Music Company

By Giacomo Puccini. For Opera. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 2600 pages. Published by Subito Music.

arranged by Simon Lasky. For Saxophone (All). solos. Kevin Mayhew Ltd. Classic. Level: Intermediate. Book. Size 9x12. 40 pages. Published by Kevin Mayhew Ltd.

Intermediate to Advanced Studies (Book 3 level). Essential Elements Band Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.

Intermediate to Advanced Studies (Book 3 level). Essential Elements Band Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.

Intermediate to Advanced Studies (Book 3 level). Essential Elements Band Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.

Edited by Jenni Wheeler. For saxophone. Dip In Series. Collection. 152 pages. Published by Wise Publications.

For Choral. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 5400 pages. Published by Subito Music.

Simple Sheet Music Audio Play-Along. Composed by Various. Instant Piano. Classical. Softcover Audio Online. 80 pages. Published by Hal Leonard

(3rd (Bass) Trombone). By Johann Sebastian Bach (1685-1750). Arranged by Richard S. Thurston. For Concert Band. Southern Music. Grade 2. 16 pages. Hal Leonard #B474TBN3/TBN. Published by Hal Leonard

By Richard Wagner. For Opera. (Vocal Scores). CD Sheet Music (Version 2.0). PDF file on CD. 5000 pages. Published by Subito Music.

(from the Opera Treemonisha). By Scott Joplin (1868-1917). Arranged by Gerhart Drijvers. For Choir and Concert Band. Grade 3. Score. Duration 02:30

For French Horn. Classical (Laureate Master Classes with piano). Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. Published by Music Minus One

SKU: HL.50486683

Guitar. 7 pages. Hal Leonard #SIK674. Published by Hal Leonard (HL.50486683).

UPC: 884088662325. 0.056 inches.

By Robert Schumann. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Published by Subito Music.

Melody, Lyrics & Simplified Chords in the Key of C. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x12 inches. 200 pages. Published by Hal Leonard.

CD Sheet Music (Version 2.0) titles allow you to own a music library that rivals the great collections of the world! Version 2.0 improves upon the earlier edition in a number of important ways, including an invaluable searchable table of contents, biographical excerpts, and faster loading. CD Sheet Music (Version 2.0) titles work on PC and Mac systems. Each page of music is viewable and printable using Adobe Acrobat. 1600 pages. Published by Subito Music.

Organ

SKU: HL.14043703

For Organ. Composed by Nico Muhly. Music Sales America. Classical. Softcover. 12 pages. St. Rose Music #SRO100116. Published by St. Rose Music (HL.14043703).

UPC: 840126953312. 12.0x9.0x0.043 inches.

Prelude On Lasst Uns Erfreuen is a work by renowned contemporary composer Nico Muhly , for Organ. Lasting around 6 minutes, it was composed in 2007. The composition was dedicated to Alison Shafer, commemorating 25 years of service for Christian Lane and the Evangelical Reformed United Church of Christ, Frederick, Maryland. In the September/October 2015 issue of Choir & Organ, Stephen Farr writes that this work applies a variety of motivic treatments, and a corresponding variety of rhythmic twists, to the well-known melody...would be effective in either concert or liturgical contexts.